- Books

Una ragazza da Tiffany

Una ragazza da Tiffany Nel a Manhattan un elaborata insegna in bronzo fa bella mostra di s Tiffany Glass Decorating Company declama la scritta che campeggia sopra una solida porta di vetro molato Oltre quella porta

  • Title: Una ragazza da Tiffany
  • Author: Susan Vreeland Massimo Ortelio
  • ISBN: 9788854504523
  • Page: 438
  • Format: Paperback
  • Nel 1892, a Manhattan, un elaborata insegna in bronzo fa bella mostra di s Tiffany Glass Decorating Company declama la scritta che campeggia sopra una solida porta di vetro molato Oltre quella porta, si schiude un grande salone con enormi vetrate appese al soffitto e imponenti mosaici poggiati alle pareti E poi vasi dalle linee morbide, pendole, candelabri Art NoNel 1892, a Manhattan, un elaborata insegna in bronzo fa bella mostra di s Tiffany Glass Decorating Company declama la scritta che campeggia sopra una solida porta di vetro molato Oltre quella porta, si schiude un grande salone con enormi vetrate appese al soffitto e imponenti mosaici poggiati alle pareti E poi vasi dalle linee morbide, pendole, candelabri Art Nouveau, lampade con paralumi di vetro soffiato in mille splendidi colori il regno di Louis Comfort Tiffany, pittore di quadri orientalisti raffiguranti minareti, moschee e beduini, secondo il gusto del tempo Gardenia all occhiello, baffi fluenti, Louis Comfort Tiffany ha creato il suo atelier coltivando un progetto ambizioso estendere la sua idea dell arte come bellezza che non ha bisogno di spiegazioni perch basta a se stessa alla decorazione del vetro.La Tiffany Glass Decorating Company , tuttavia, anche il regno delle Tiffany girls, le ragazze di Tiffany, come sono chiamate a Manhattan le donne che l artista ha riunito attorno a s Ogni giorno Louis le esorta ad abituarsi a riconoscere la bellezza in ogni momento, a cogliere la grazia di una forma, l eccitazione di un colore Radunate nel laboratorio al quinto piano, le ragazze, per , non hanno bisogno di soverchie esortazioni per tagliare il vetro con estro, e disegnare e dipingere alacremente.Vi Wilhelmina, impertinente diciassettenne dall alta statura, Mary diciottenne dai capelli rossi, Cornelia, riservata e taciturna, Agnes, l altera, la prima donna cui Tiffany ha accordato l onore di dipingere i soggetti delle sue vetrate E, infine, Clara Wolcott Driscoll.Giovane vedova in un laboratorio dove vige la regola, imposta dal padre di Louis, di impiegare solo fanciulle non maritate, Clara l artefice autentica delle creazioni Tiffany lei, infatti, a ideare quegli oggetti meravigliosi, i paralumi di vetro soffiato, decorati con uno stile che sembra celebrare la gioia e il mistero di un secolo che deve ancora iniziare.Una ragazza da Tiffany , soprattutto, la sua storia Una storia in cui Susan Vreeland non celebra soltanto un talento misconosciuto, ma illumina anche gli slanci, i desideri e le ambizioni di una giovane donna nella metropoli americana pronta a tuffarsi nella grande avventura del Novecento.

    • Best Download [Susan Vreeland Massimo Ortelio] º Una ragazza da Tiffany || [Paranormal Book] PDF ☆
      438 Susan Vreeland Massimo Ortelio
    • thumbnail Title: Best Download [Susan Vreeland Massimo Ortelio] º Una ragazza da Tiffany || [Paranormal Book] PDF ☆
      Posted by:Susan Vreeland Massimo Ortelio
      Published :2018-09-13T10:21:56+00:00

    1 thought on “Una ragazza da Tiffany

    1. The entire time I was reading Susan Vreeland's "Clara and Mr. Tiffany" I couldn't get out of my head that Clara Driscoll's ties to her boss, Louis Comfort Tiffany, reminded me a lot of another relationship that has so captured my attention——and that's Don Draper and Peggy Olsen.Leave it to a Mad Men fan girl to make a connection like that, but this novel paints a picture of the relationship between its two protagonists that's a precursor of sorts to its 1960s fictional counterpart. There was [...]

    2. While I did learn a bit about Tiffany Studios and Clara Driscoll, this book was far too much like an overwrought and overwritten soap opera for my taste. Clara Driscoll's life, story, and accomplishments could have been much more interesting in a different author's hands, but this Clara weeps, wails, and waits - for acceptance and recognition from Louis Comfort Tiffany, and for love (from LCT?) but doesn't seem to know what to do when she receives what she has been seeking. All in all, this Clar [...]

    3. Clara Driscoll worked for Louis Comfort Tiffany, of Tiffany glass and lampshades during the late 1800's-early 1900's.  She always felt that her artistry was not of the same caliber as Mr. Tiffany and some of the other women in his employ. She was hired back after her husband's death to be a manager, not an artist, after all. But she wanted her boss to see her as indispensible and got an idea for a lamp of yellow butterflies and primroses, which turned out beautifully and basically launched t [...]

    4. Didn't finish this one- got to a bit over 100 pages and then realized that I didn't care what happened next. The premise was interesting: a woman artist working in a time when female artists weren't recognized, Tiffany glass, New York at the turn of the twentieth century.I wanted to fall into the book, and I just couldn't. Clara's character wasn't likable. She seemed prim, although Clara herself seemed to think she was bohemian. She had a mean-spirited sense of humor, and seemed to think that be [...]

    5. "If the mountain was smooth, you couldn't climb it."Eloquently and decorously written, with nuances of stained glass arts, naturel world inspiration, unrequited love, gilded age feminism, unconventional lifestyles, and true binding friendships, Clara and Mr. Tiffanyis a most excellent book club selection. "We say that we're working on something, but the work is working on us too. Breaking up glass into small shapes, harmonizing colors, choosing textures, and setting them right to make something [...]

    6. Sometimes I really like Susan Vreeland, sometimes she just doesn't do it for me. I think she is at her best when she manages to get inside her characters' heads to show what art means to them or what inspires people to create. I just wasn't getting that from this book.I loved the idea of the story, showing how women made the beautiful Tiffany glass creations while Mr. Tiffany got all the credit. But the book is full of clunky dialogue explaining the process of working with glass and summing up p [...]

    7. The woman behind the glass – that is what Clara Driscoll could be referred to. Though there is no certainty that Clara was the innovator for the Tiffany lampshades, that is the assumption made for the purpose of this book.Here’s a heads up, beauty is NOT is not found anywhere on the inside in this book. With the subtle acts and comments of ignorance, I have to ask, is Clara blinded by beauty? She is portrayed as choosing art over love and even comments that death could be beautiful, in the r [...]

    8. Wow. My mother read this a few years ago, and I knew it didn't thrill her, but wow. That was some bad, bad writing. Seriously bad. I can't even. I don't think Ms Vreeland had an editor, or this never would have been published. The characters were oft-times indistinguishable, relationships were spoken of as though they were significant, but they were totally flat and unbelievable, and there was really no driving narrative. The gilded age New York City setting should have been interesting, but Vre [...]

    9. Questo libro è stata una scoperta molto piacevole. Prima di tutto, quella di uno stilo dolce, delicato, pacato, che lentamente mi ha avviluppata nelle emozioni della protagonista.La storia di Clara, l'inventrice dei paralumi di vetro soffiato (anche se la verità storica è tuttora controversa), si dipana lentamente, nell'arco dei suoi 16 anni alle dipendenze della Tiffany Glass & Decorating Company. L'autrice è riuscita pienamente a trasmettermi l'amore di Clara per la natura ed i suoi fa [...]

    10. There are many things to like about this novel though sometimes it felt like the story was a mosaic with each element being very separate from the others. It could have benefited from a more fluid integration of the individual elements and would have made for greater reading enjoyment on my part. I really liked the bits of history woven in, the rising popularity of the bicycle, the opening of the subway, the development of the city as the wealthy moved into the area, women organizing for their r [...]

    11. I made myself finish 50 pages of this drivel, and that is all I will be finishing because life is way too short to read crap like this. I can thank the author for inspiring me to create my new "life's too short" bookshelf for books I start and don't finish (not because I lack the will power, but because they are not even worth the time I gave them). Here's some helpful advice for the author: 1. Read some books. About 200 or 300 more. 2. Listen to conversations and find out how people actually ta [...]

    12. Audio book performed by Kimberly FarrThis is an interesting historical novel that tells the story of the woman behind (and in many ways WAY in front of) the man. Clara Driscoll was a woman of artistic vision. It was she who first thought of using nature themes in stained glass lamp shades. It was her dragon-fly lamp design that won an award at the 1900 Paris World Fair; the newspapers reported the award was won by Louis Comfort Tiffany, but her name was listed as designer. Vreeland crafts a fine [...]

    13. I really wanted to like this book. It is based on the life of Clara Driscoll, the women who created the Tiffany lamps, and it has all of the elements of a good story: a turn-of-the-century New York setting, a "strong" female protagonist who must choose between love or her talent, the bonhomie of the art world, etc. Hm. The characters were two-dimensional, there was way too much information about the construction of stained-glass pieces (the book should have included pictures of the pieces so rub [...]

    14. Having just seen the Tiffany exhibit at Biltmore Estate, devoted mostly to Tiffany lamps, it was a perfect time to read this historical novel. In one respect, it did not disappoint: it gave me some insight into the design and construction of the lamps and the making and choosing of the extraordinary glass that gives them life. According to the postscript, this life of Clara Driscoll is highly fictionalized---and it’s not known whether Clara actually was instrumental in initiating the lamp line [...]

    15. There were parts of this book that I loved - history, classism, feminism, unionism, time period, the history of stained glass making. In fact, I spent a lot of time at my computer looking up different aspects of the history of Tiffany's stained glass windows, panels and lamps that was really interesting for me. And, they truly are beautiful!Years ago I took a class in stained glass and worked at it for a couple of years but found it so much harder and more complicated than I imagined it to be. I [...]

    16. In this turn of the century historical drama, Clara Driscoll is the brain behind the genius Tiffany lamps, not the great Louis Tiffany. It spans almost twenty years of her life and career, and highlights the difficulty of employed women in that area. It's an interesting, creative novel, strong in exactly the right kind of girl power. The only thing I had issues with was that the book moved slowly to me. It would have made four stars had the pacing been a little better.

    17. Loved this book! Learned so much about making stained glass windows and shades, Tiffany and company, and the Victorian art period and the beginning of the art noveau movement in New York. Also met some wonderful people who were involced in these movements.

    18. I would like to give it more stars because it had the makings of a good book but I just couldn't get completely into it. Way too much in the way of flowery descriptions of colors and glass for me and the dialogue was just rather strange. I think the real story of Clara is probably very interesting but the way this was told, I only saw flashes of it.It must have been a lot of work because she touches on most of the historical data of the Gilded Age and I would have loved to have known more. Women [...]

    19. Clara and Mr. Tiffany by Susan Vreeland is the delightful fictionalized story of Clara Driscoll and the years she worked with Louis Comfort Tiffany at his New York studio. Clara Discoll was the head of the Tiffany Women’s Division and possibly the person who conceived the idea for the iconic Tiffany stained glass lamps.According to Susan Vreeland, Clara Driscoll’s story came to life through letters she wrote to her mother and sisters:“By a remarkable coincidence, three individuals unknown [...]

    20. Another winner from Vreeland. Here she focuses on a craft vs. fine art and a female vs. male artists. I now know how the phrase "23 skiddo" came from. (When they were building the Flatiron building in NYC, the winds came from the triangular building to blow up the ladies skirts ala Marilyn Monroe in the Seven Year Itch. The cops would tell the guys Skidoo, and it was on 23rd Street.) Now that was very clever to add it when Vreeland did, because other tidbits of the time (like O. Henry opening up [...]

    21. Although Clara and Mr. Tiffany is historical fiction, Clara Driscoll and some of the other characters as well as the well-known Louis Comfort Tiffany were real people. Tiffany is famous; his designers, including Clara, who did the work for which he got credit, are not. Clara, as a widow, was allowed to work for Mr. Tiffany, but any of his “girls” who married had to leave the company immediately, leading to some disastrous results. The men who worked for Tiffany resented the women's presence, [...]

    22. My rule is this: give a book at least 50 pages to engage and keep my interest. I read about 65 pages and gave up. I just didn't care about any of the characters.I wanted to like this book. I love the Art Deco movement. I think Tiffany mosaics are amazing. I am interested in the time period. But Clara was just not an interesting protagonist. I couldn't keep motivated to continue reading this book. Clara, a former Tiffany employee, gets her job back after her husband's death. (Tiffany has a rule a [...]

    23. After slogging through 3/4 of this book, I finally gave myself permission to close the covers and return it to the library. I was very interested to hear about Clara Driscoll and her designs for the Tiffany company. But for a woman torn between her art and love, Clara remained a flat, two-dimensional and rather uninteresting character. I couldn't get a handle on her at all. One minute she was espousing feminist/union ideals and the next making rather condescending remarks about her immigrant co- [...]

    24. Fantastic read. I love historical fiction because it can teach you so much about a particular era. I actually picked up the book based on the beautiful cover and after reading the inside jacket. The story moves along at a good pace and you come to really know the characters. I became a lot more interested in knowing more about the Gilded Age that I was before.

    25. This was the first book I've read by Susan Vreeland, but this, her latest novel, is just one of a large pantheon of works by her and other authors that might be called "fictionalized history." A specific historical person or event is borrowed and a fictionalized tale is woven around it and what is known about it through historical records. One could argue that "The Girl With the Pearl Earring" started this, but many others have followed.In this case, the historical person of record is Clara Dris [...]

    26. Not until recently has it become known that Clara Driscoll was the leading lady behind the designs and execution of Louis Comfort Tiffany’s Tiffany lamps. It is finally time for her to shine and it none better than with “Clara and Mr. Tiffany”.Characteristic of Vreeland’s work (especially The Passion of Artemisia), Clara and Mr. Tiffany instantly plunges you into an artistic and colorful world. So vivid is your adventure, that at times the reader will feel like rainbows and paint are eru [...]

    27. This week I read Clara and Mr. Tiffany by Susan Vreeland. The novel is based on an exhibit at the New York Historical society and its fascinating catalog, A New Light on Tiffany: Clara Driscoll and the Tiffany Girls. Clara Driscoll was a detailed letter writer like many of her Victorian contemporaries, and this allowed Susan Vreeland to piece together Clara's amazing story.In 1893 Loius Comfort Tiffany shocks the world with his innovative stained glass windows in the White City at the World's Fa [...]

    28. I love reading a historical fiction about a subject I know nothing about. The story revolves around Louis Tiffany, of the Tiffany glass works (not to be mistaken for his father Charles of jewelry fame), and Clara Driscoll, an artistic designer and head of the women's division at Tiffany's. The story really belongs to Clara, who up until recently never got the credit she deserved for her role in creating and designing some of the most well known pieces in the Tiffany collection. It was her idea a [...]

    29. Clara and Mr. Tiffany is a fictional novel based on fairly recently discovered information about the work and studio of Louis Comfort Tiffany, the Tiffany of the stained glass windows and the lamps, son of the Tiffany of the jewelry store.` A 2007 museum exhibit, inspired in part by the letters of Clara Driscoll, cast a new light on who exactly did what in Mr. Tiffany’s studio. This book does a wonderful job of portraying the kind of life a working woman would have led in the New York City of [...]

    30. I don't know what makes the people on the back of Clara and Mr. Tiffany give it such rave reviews. It was an interesting story, an interesting slice of life, but the writing was really pretty dreadful. Susan Vreeland clearly did her research on this book, but couldn't figure out how to integrate it without sounding like a textbook. My favorite example was when Clara actually went to the library to research the women's labor movement and Rose Schneiderman. Lots of historical name dropping. And I' [...]

    Leave a Reply

    Your email address will not be published. Required fields are marked *