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Dispatches He seems to have brought to this book the ear of a musician the eye of a paintere premier war correspondence of Vietnam Washington Post The best book I have ever read on men war in our time John le Ca

  • Title: Dispatches
  • Author: Michael Herr
  • ISBN: 9780330491990
  • Page: 259
  • Format: Paperback
  • He seems to have brought to this book the ear of a musician the eye of a paintere premier war correspondence of Vietnam Washington Post The best book I have ever read on men war in our time John le Carre Dispatches puts the rest of us in the shade Hunter S ThompsonBreathing inHell sucksKhe SanhIllumination roundsColleaguesBreathing out

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      Published :2019-02-22T07:19:00+00:00

    1 thought on “Dispatches

    1. ”Flip religion, it was so far out, you couldn’t blame anybody for believing anything…Guys stuck the ace of spades in their helmet bands, they picked relics off of an enemy they’d killed, a little transfer of power; they carried around five-pound Bibles from home, crosses, St. Christophers, mezuzahs, locks of hair, girlfriends’ underwear, snaps of their families, their wives, their dogs, their cows, their cars, pictures of John Kennedy, Lyndon Johnson, Martin Luther King, Huey Newton, t [...]

    2. Having been in VietNam and having been in some of the Marine Units that Michael Herr writes about in "Dispatches" is the best depiction of war in general and VietNam in particular that I have ever read. It started me on the path to healing that I had kept hidden since I came back from Nam. Thank You Michael.

    3. UN CARTONE ANIMATO NOIR: "TOPOLIN, TOPOLIN, VIVA TOPOLIN"”Full Metal Jacket” di Stanley Kubrick: la scena finale , la cosiddetta marcia di Topolino.Questo libro contiene tutti i film sul Vietnam che ho visto e che sono stati mai realizzati.Eppure è stato scritto prima di qualsiasi film sul Vietnam.Il fatto è che chiunque abbia voluto fare un film sull’argomento ha letto ‘Dispacci’ con attenzione, è partito da queste pagine.A cominciare da Coppola, che per “Apocalypse Now” lo vol [...]

    4. War is Forever Evil is not an absence of the good as proposed by theologians. It is a positive force precisely proportionate to the coercive technological power employed. Power kills people; people don’t kill people; technology does. War is unlimited power; or power limited only by the technology available but certainly not by morality, that is to say, people. Herr saw this at close quarters: “Our machine was devastating. And versatile. It could do everything but stop.” No one who had powe [...]

    5. "Each day to facilitate the process by which the United States washes her hands of Vietnam someone has to give up his life so that the United States doesn't have to admit something that the entire world already knows, so that we can't say that we have made a mistake. Someone has to die so that President Nixon won't be, and these are his words, "the first President to lose a war."We are asking Americans to think about that because how do you ask a man to be the last man to die in Vietnam? How do [...]

    6. This is war reportage as heartbreaking poetry. One of the roughest pieces of writing I have ever encountered. Beautiful, angular and harsh stylistically. There is a wonderfully (and terrifyingly) immersive quality to this book.

    7. Not only is this the most engrossing piece of journalism, the most touching memoir, and the most illuminating book on war I've ever read; it's also written as if Herr was on fire and being chased by literature-eating wolves. I read it twice in a row and would do it again.

    8. I'd never heard Dispatches mentioned in speech or in print until I got a copy of it in a package sent to me from my uncle, who'd died three or four days earlier. Imagine my surprise when I found it was the basis for not only Full Metal Jacket but also, to some degree, Apocalypse Now. It's more or less what you'd expect: a war correspondent travels all around Vietnam for what seems to be several years (I'm not sure how long Herr was actually there), talking to the foot soldiers and the officers a [...]

    9. I could say this is one of the best memoirs I've read. I could also say it is one of the most brilliant books on war I've ever read. It would probably be easier, however, for me to just acknowledge I haven't read many books that have the power, the poetry, the intensity, the vividness, the bathos and the pathos that Herr pushes through every single page of this amazing book. This is a book that haunts you hard while you read it and resonates both the horror of war and the surreal qualities of wa [...]

    10. Made me curious about the spectral kingdoms and extinguished dynasties of pre-colonial Vietnam, the spooky historical geography which haunts Herr from under the French place names and American grids. Contemplating an unreal old map in his Saigon apartment, Herr knows “that for years now there had been no country here but the war”:The terrain above II Corps, where it ran along the Laotian border and into the DMZ, was seldom referred to as the Highlands by Americans. It had been a matter of mi [...]

    11. "I went there behind the crude but serious belief that you had to be able to look at anything, serious because I acted on it and went, crude because I didn't know, it took the war to teach it, that you were as responsible for everything you saw as you were for everything you did."What a book. The first section, "Breathing In," is one of the most astounding things I've ever read. Relentless, harsh, lyrical, and filled with more insights than some writers achieve in an entire lifetime. I marveled [...]

    12. In two weeks I'll be flying to Hong Kong, setting sail for Vietnam, Thailand, and Malaysia to deliver a series of lectures on a luxury cruise ship. The topic I chose, "Asia Through Hollywood's Eyes," has exposed me to some wonderful films, a number of which I've reviewed on my blog or written about in my column for 3 Quarks Daily. And I've immersed myself in bios of Pearl Buck, Anna Leonowns (the real-life Anna of The King and I), Anna May Wong, Pierre Boulle, Somerset Maugham, along with books [...]

    13. the writing is glib, self-important and embarrassing in that desperate-to-be-cool kind of way, which gets in the way of what is ostensibly the *actual* subject - the vietnam war. instead, it seems that the vietnam war was merely a canvas for the real subject of the book, his own writing, which is unfortunately completely insufferable."Dexedrine breath like dead snakes kept too long in a jar." gtfo. worst.

    14. Fucking amazing. Supposedly the most famous journalistic account of the war in Vietnam I wouldn't disagree. Nonfiction, but to me on par with any of O'Brien's work from a storytelling perspective, which is saying a lot. Outpaced the highest of expectations.

    15. Dude can write!!! The first full chapter, “Breathing In”, is a breathless masterpiece putting you right in the swirling mess of it, reaching out to all aspects of the war and pulling them in as it sucks you in with it. But this is not all. In “Khe Sanh” Herr changes pace for a slower, more sparsely populated narrative, which despite the lower octave does not let up in intensity or observation, and finally breaks out of the surrounded marine base and shifts to a series of grimly funny sce [...]

    16. "It would seem fitting, ordained, that they should live in the Highlands, among triple canopies, where sudden, contrary mists offered sinister bafflement, where the daily heat and the nighttime cold kept you perpetually, increasingly, on edge, where the silences were interrupted only by the sighing of cattle or the rotor-thud of a helicopter, the one sound I know that is both sharp and dull at the same time. The Puritan belief that Satan dwelt in Nature could have been born here, where even on t [...]

    17. Beautifully, vividly, outrageously, grotesquely renderd account of tagging along as a journalist in the peak years of Vietnam. The writing is fierce, hallocinogenic, searing, and very subjective. Herr is an Emersonsian transparent eyeball in this book, recording his impressions and imaginative reactions to the chaos and strange beauty surrounding him everywhere.Some very interesting characters: Sean Flynn, son of Errol, who does war photography because he wants to truly see the world. Tim Page, [...]

    18. My hat's off to anyone who can sum up this book in a review. It is beyond anything I've ever read in its portrayal of men at war as witnessed by the war correspondents who accompany them on the front lines. Unlike the embedded journalists of our own time, the writers and photographers who covered Vietnam were much closer to being free agents, restricted only by their ingenuity and fearlessness to seek out the action that would represent the essence of America's military presence in southeast Asi [...]

    19. Powerful bookp the first halft just the content, which is raw, but the language and punctuation even that captures brilliantly the maniacal be-bop riot of this heart of darkness ride into the horrid past. Easy Rider (as, in fact, Sean Flynn quite literally was) comes to Saigon, Khe Sanh, Hue.

    20. This book is very special. I wouldn't recommend it to any newbie as introduction to Vietnam War. It's raw, biased, consisting of handpicked mosaic of worst insanity. Herr doesn't care about analyses, he doesn't go to archives, he even admits that he doesn't give a fuck about politicians, diplomats, or other stakeholders – he can't even speak to them as they use “different language”. Also, the book almost completely avoid topic that mattered the most – ordinary Vietnamese, their faith, st [...]

    21. Βαθμολογία: 9/10Ο Μάικλ Χερ κάλυψε τον πόλεμο του Βιετνάμ σαν ανταποκριτής του περιοδικού Esquire, από κάποια στιγμή μέσα στο 1967, μέχρι το 1969. Έκατσε στο Βιετνάμ δεκαοχτώ ολόκληρους μήνες και είδε τα πάντα. Έδωσε παρών σε μικρές και μεγάλες μάχες, είδε πτώματα στρατιωτών, πεζοναυ [...]

    22. I'd kind of heard of this, but didn't know its significance and avoided reading about it while reading it. Turns out he later wrote the screenplay for Full Metal Jacket and Apocalypse Now, which makes sense because Vietnam film is 100% rooted in the language and stories of this book. I'm conflicted because it tells things as horribly as they were and yet within this book is the seed for the romanticism of the Vietnam war. All those movies and all those people I always felt were enjoying them for [...]

    23. [2.5 stars] I don't doubt that Dispatches is a Great War Book. The fault is with me. I'm not a good non-fiction war book reader. All the battles and shooting and carnage that Herr reports on made me feel numb. Interestingly, two of my all-time favorite works of fiction are about war: The Things They Carried (Vietnam) and Redeployment (Iraq/Afghanistan). Both of these powerful books brought me much closer to understanding the experience of war than Dispatches did.

    24. The thing about war books is how timeless they are, from Homer to Homs. So it's odd reading a "dated" book about Vietnam to find that it's Syria or Iraq or Afghanistan or wherever grunts shoot and get shot at. The blood, the fear, the thrill, the sarcasm, the black humor, the superstition, the body bags, the music, the enemy, the drugs, the killing, the being killed. The book roars out of the gate with a great opening. The longest section, on Khe Sanh, is classic Vietnam lit. Sometimes it's toug [...]

    25. I read this book completely high! And I loved it. Well not exactly as much as I loved 'The things they carried', but I loved it. I have no idea if being high had anything to do with how much I enjoyed listening to the guy describe a brutal fire-fight, but it was good anyways. It's amazing that someone can tell a story about death and filth and bullets so beautifully, and at the same time with so much useful detail. Never a dull moment in this book. I loved it!Oh, and just FYI, the movie 'Full Me [...]

    26. No matter what I choose as adjectives to describe Dispatches, it could not amount to anything other than diminishing the raw brilliance of Herr's writing to some tired clichè. Dispatches is unlike any book Ive read or anything I could have imagined. It is in a class of its own. It has been claimed as the finest personal account of war ever written. Im not arguing.

    27. if it wasnt bad enough to step into the heart of hell during day you got cat sized rats scampering over you at night. u can almost smell the camphor as you read.

    28. Overall a very good book, that sits up there with any Vietnam story ever told. I think I expected a little more from the book that was the basis for the screenplays of Apocalypse Now and Full Metal Jacket, but When it came down to it, all that was taken from this book for those films were very minor details, short anecdotes and characters. There was so much of the book that was left untouched by Hollywood.But the stories were good, and Herr's experience was very unique. There were angles on that [...]

    29. Riveting and brilliant account of the chaotic and stressed out world of the soldier in Vietnam as digested by an embedded journalist. From nearly 10 years of hindsight, Herr writes from his experience as a correspondent for Esquire for a one year period from 1967 to 1968, a time of major escalation in the war, including the Tet Offensive and major sieges of Hue and Khe Sahn. The quality of the writing is solid and renders a great balance between the visceral experiences of combat (the terror, me [...]

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