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The Nightmare Factory, Vol. 1

The Nightmare Factory Vol A fractured mind is often the way into a world not suspected by those of an innocent normality Enter the universe of renowned horror master Thomas Ligotti a universe where clowns take part in a sinist

  • Title: The Nightmare Factory, Vol. 1
  • Author: Thomas Ligotti Stuart Moore Joe Harris Colleen Doran Ben Templesmith Ted McKeever Michael Gaydos
  • ISBN: 9780061243530
  • Page: 129
  • Format: Paperback
  • A fractured mind is often the way into a world not suspected by those of an innocent normality Enter the universe of renowned horror master Thomas Ligotti a universe where clowns take part in a sinister winter festival, a scheming girlfriend makes reality itself come unraveled, a crumbling asylum s destruction unleashes a greater horror, and a mysterious Teatro comes and A fractured mind is often the way into a world not suspected by those of an innocent normality Enter the universe of renowned horror master Thomas Ligotti a universe where clowns take part in a sinister winter festival, a scheming girlfriend makes reality itself come unraveled, a crumbling asylum s destruction unleashes a greater horror, and a mysterious Teatro comes and goes, leaving only shattered dreams in its wake.In the tradition of Edgar Allan Poe and H P Lovecraft, Ligotti s sophisticated tales of terror take us to places few would suspect exist, where madness is only a thought away The Nightmare Factory adapts four of Ligotti s most chilling tales into fine graphic literature by famed writers and artists Stuart Moore, Joe Harris, Colleen Doran The Sandman , Ben Templesmith 30 Days of Night , Ted McKeever Batman , and Michael Gaydos Alias Featuring all new introductions to each story by Thomas Ligotti.

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      129 Thomas Ligotti Stuart Moore Joe Harris Colleen Doran Ben Templesmith Ted McKeever Michael Gaydos
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      Posted by:Thomas Ligotti Stuart Moore Joe Harris Colleen Doran Ben Templesmith Ted McKeever Michael Gaydos
      Published :2018-08-20T00:30:15+00:00

    1 thought on “The Nightmare Factory, Vol. 1

    1. A graphic interpretation of four Ligotti stories: "The Last Feast of Harlequin," "Dream of a Mannikin," "Dr. Locrian's Asylum" and "Teatro Grottesco." With Ligotti, often the most suggestive horrors are philosophical rather than physical, and therefore images cannot convey how disturbing these stories really are. Still, these illustrated tales are both compelling and useful, as aids to a literary meditation on nihilism.These illustrations may operate in much in the same way as an icon that is us [...]

    2. To me, Thomas Ligotti's work is a good demonstration of how horror is most effective in small doses. These illustrated adaptions of a handful of his stories haul you in but don't give you enough time to become acclimated (and therefore desensitized to) the premise before bringing things to an abrupt (anti) resolution. Ligotti is one of the modern masters of weirdness and the artwork ranges from decent to downright spooky. Interesting stuff.James Pratt, author of "When Dead Gods Dream"

    3. The best gift someone (at least this girl) can receive is a book, or in this case, a graphic novel of an author's most horror-inducing tales. I've been figuratively dying to get my hands on The Nightmare Factory, and now thanks to the merry holidays, I have it in my possession. Once I had a moment to myself, my greedy hands pawed at this book, devouring its words and images like the literary glutton that I am. And before I knew it, I had reached its end. The graphics ceased, but my enjoyment had [...]

    4. some critic somewhere said once that ligotti's overarching theme was his stories' sense of dread, in a word: doubt. his characters are saddled with it like a melancholic Atlus, the coming gotterdammerung too strong to allow you to even care to shrug. well, none of that translates to the comic medium. a couple (four total here) of the stories' ends are completely changed, one of them has an entirely new character in its protagonist and the most well known (and most comically (heh) astute)the Last [...]

    5. La fábrica de pesadillas en realidad es una fábrica de somníferos.Es innegable que Ligotti es un escritor con gran dominio del lenguaje, una imaginería muy original, y una prosa evocadora con reminiscencias de Poe y Lovecraft, pero sus narraciones a veces son demasiado introspectivas y muy lentas para mi gusto.Este libro lo he usado un par de noches que tenía insomnio, y mano de santo.

    6. A bit disappointing.I do not think Ligotti translates well to graphic novel format.The art did not move me in any of the stories. Some of the choices of scene puzzled me.I had high hopes for this, and I won't be buying volume 2.

    7. I have read this graphic novel of four shortish adaptations (of Thomas Ligotti short stories by people not Thomas Ligotti) and four short introductions (by Thomas Ligotti), before, and my thoughts shifted from initially enjoying it to thinking that it has missed the mark. Rereading it to coincide with my reading of Songs of a Dead Dreamer, I find that both of my takes were correct. First off, the artwork is excellent in just about every way, and for certain types of fans of horror and horror com [...]

    8. Well, reviewer Rob summed it up perfectly below. I'll just add; what a snorefest! The Last Feast of Harlequin was the best of the four stories, with a promising set up and interesting action, both with Lovecraftian flavor, but the protagonist wasn't interesting in the slightest, there was no sense of dread (though all the elements were there) and the ending was a whole lot of "That's it, huh? Well."Dream of a Mannikin - I'm not sure what this story is about, something to do with objectification [...]

    9. Definitely creepy. Ligotti really built up a nightmare with a great amount of skill. But each story's ending left me wishing he would have taken it a step further. Each story the reader is clutching the book thinking, oh dear lord what horror awaits. It's such a perfect fear emotion to pull out of people. Then the ending. And it's not like it's a badly written ending or anything, it's just I wish there was MORE. (view spoiler)[Like the asylum story. Great build up, then the shadows/spirits/memor [...]

    10. I've read two of Ligotti's other books (Songs of a Dead Dreamer and Teatro Grottesco) and I've read three of the stories adapted here. Even though I KNEW what was coming, I knew how the stories worked and how they would end, I still felt the same awful, numbing horror I always feel finishing his works, always. One is taken into a dream world without explanation or consolation when you read Thomas Ligotti and I feel as though I have been taken there a few times too many. I sat at a transit statio [...]

    11. Perfect time of year for this. Interpretation of the clown story was super creeps, but all of the stories focus more on atmosphere than plot. However, I really like that, and there's also a heavy amount of philosophy and psychological exploration going on here, which is right up my alley as well. Ligotti writes more than your average horror tale and these are nicely illustrated, although I wouldn't go so far as to say they are fully adapted into comics I guess technically. I do especially love C [...]

    12. Four odd and creepy stories. But they seemed to be missing something. The ideas were interesting and the art was fantastic. But something was lacking in the execution. I don't know if it's Ligotti's stories in general, or the adaptation, but there was something I didn't quite get. Maybe this is an intentional part of his writing, to leave the reader with a sense of bewilderment, but with a few of these, I was just left thinking, "huh?"

    13. 2.5Overall, I'm kinda meh about the whole thing.The art was decent, and suitably atsompherically creepy, but the stories were disjointed and hard to follow. Apparently they are based on prose novels, as opposed to being written for the format, so maybe that had something to do with it. I liked the one about the town with the asylum, and the clown one sort of stayed with me, but I don't even remember the others, and I just read it yesterday.

    14. Thomas Ligotti is the type of eggheaded horror writer who prefers to spook you with metaphysics and dreary clowns, rather than the usual electroconvulsive mix of corpses and demons. So let's just say that these stories aren't very frightening at all. Instead, you read this for the spooky art, which seems to improve on his originals in odd ways. I especially dug Ted McKeever's skin-gouging hard lines and Michael Gaydos's washed-out rainbow-noir coloring (in the freakiest of the four stories).

    15. I wasn't a really big fan of this collection. They were not very nightmarish to me for the most part, and I only enjoyed 2 of the 4 stories (the first two). I guess I would recommend this if you can get it, simply for those first two stories. People with a more poetic/philosophical bent may enjoy the other two stories a bit more than I did.

    16. Unfortunately for me, this is my first real introduction to Ligotti. Maybe I should seek out his actual stories or maybe just cut my losses. These feel like you're reading one of every ten sentences, like so much is missing. An extra star because the artwork is well done, but overall it's more annoying than enjoyable.

    17. 3 1/2 stars. Ligotti is pretty awesome, so let's jump on the graphic novel bandwagon!d the results are not bad at all. It's a little bit difficult to get enthusiastic about this project because the addition of a visual element doesn't really seem to improve upon the original work, but at least they leave most of his creepycreepy language intact. A brief, enjoyable read.

    18. Four creepy stories, featuring skillful but fittingly unsettling artwork from four different artists. I personally found that all four comics relied too much on the narration, (it worked well in the first and last stories, but perhaps not the other two) and scarier visuals would've made them even better.

    19. ligotti writes horror like it matters. his books are full of powerful sentences and slowly building unease. this comic adaptation isn't entirely succesfull, the stories could easily have been given another 5 or 10 pages yet most of the art was dark and interesting and far from typical. i enjoyed this quite a bit.

    20. Atmospheric and well illustrated, but didn't seem very frightening to me. Rather than one tale, this book was four shorter unrelated stories. I think these stories would have been more enjoyable if they were longer and more in-depth.

    21. I wasn't a fan of this one, which is disappointing, because I thought I would be. Ultimately, I found the stories utterly uninteresting. The art, however, was phenomenal. Especially in "Dream of the Mannikan." The lighting, the shading, the colors all made it pleasing to look at if not to read.

    22. A lot of these stories were probably amazing as stories, but didn't quite translate well into comics. The illustrations were, however, beautiful, and some of the stories seem like they would be really cool to read in their entirety.

    23. I wasn't terribly impressed with this. I bought it on hearing it compared to Lovecraft and Poe, but I don't see Ligotti as anywhere near those writers. Certainly it has that atmosphere, but he doesn't quite pull it off as they did.

    24. Four stories illustrated by four different artists. The art is interesting but the so-called horror stories aren't scary, interesting, or compelling in any way. In fact, they are downright boring. It took less than an hour to read this "graphic novel" cover to cover. Skip this one.

    25. Felt like I was reading something penned for either the twilight zone or tales from the crypt. None of these stories seemed very "scary" psychologically or otherwise. Bonus I did find a story in there that an episode of Supernatural was based off of.

    26. As many others have said, the author goes for scary mood over story. Unfortunately, I think he sometimes goes for scary mood at the expense of the story. These short stories are somewhat frightening to read but leave me feeling more confused than chilled once they are over.

    27. These stories are not for the faint of heart. I was not familiar with Ligotti, and what a great introduction to his stories is in this excellent graphic book. Creepy, and yet, compelling.

    28. What is the deal with mammoth worms? That is something I've never grokked. Update: art is lovely; the stories - eh.

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